Perpetually unemployed racial cosplayer Rachel Dolezal has been released from the mental prison the nation put her in by being interviewed for a documentary on– get this, Black beauty.
Subjects of Desire, a film directed by Jennifer Holness, is a film that is supposed to tackle beauty standards and how Black women have navigated and even been victimized by them, reported The Daily Beast.
The film was shown at SXSW recently and included Dolezal’s irrelevant point of view on Black beauty and Black aesthetics. As Black, as she believes herself to be, Dolezal morphed into full white woman mode when discussing how she’s been victimized by her own white sisterhood for her decision to engage in a one-woman minstrel show for over a decade. “White women are angry because I did what they never would do and went further like I put 110,” Dolezal said.
It is not clear if Dolezal meant she put $10 down on the counter at a party shop for her wigs, but similar to herpes, she was the gift that kept giving when she then said, “I didn’t just be that white ally and do a little bit, I canceled my white privilege. I canceled my hair.”
She gets no points for her wack ass AAVE.
Dolezal’s statements remind us of why she’s not only a low-rent “Black” woman but a terrible white woman, too.
Even in the midst of her blackface routine, her skin is still what is considered “light,” and her wigs hardly crossed the 3b/3c threshold. She kept her eyes light and knew exactly which “Black” woman she would be.
Further, her need to mention her hair shows how racially daft she truly is. It sounded as if she thinks Black women’s hair is our entire life, and two, she spoke as if slapping a cheap hairpiece on top of hair that can’t go 48 hours without a wash is a big sacrifice in the fight for racial equality.
Dolezal went on to let us know she’s most afraid of white men (no shit, Sherletta) because they comprise the majority of the “white supremacy folks.” Again, Dolezal, a former college instructor, fails to either realize or verbalize that white women like her are parties to white supremacy.
Other gems include her Black ex-husband allegedly telling her that her ass was too outlandish for a white woman as if we should give a s**t.
The filmmaker defended her dumb ass decision to put Dolezal in the film. Honestly, it sounds like Holness lowkey defended Dolezal because the infiltrator started her level ten racism a decade ago when there was no “massive financial benefit.”
Holness says that it’s a credit that Dolezal is still parading her shenanigans around despite the backlash received.
Are we sick?
Holness did not state what kind of credit real Black women deserved for the backlash we received from the cradle to the grave.
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It’s time for a fact-check, though.
Dolezal pretended to be Black, did receive financial gain. At Eastern Washington University, she taught a class called “The Black Woman’s Struggle.” The syllabus was not available, but we can be certain the chapter on how treacherous Becky can be was not covered. She was president of the Spokane NAACP. She was chair of the Office of the Police Ombudsman Commission in the city and checked Black on her application. She got a book deal, a difficult feat for Black women, comparing her visual racism to slavery. To sum it up– she robbed Black women.
There is no word on where this documentary can be viewed. And honestly, we don’t care.
We hope Ms. Holness’s filmmaking career progresses. We support Black women who create. We do not support Dolezal playing in Black women’s faces.
